The
Herreium’s Defense of Example
The Anonymous author the Herrenium
begins with a bold refutation of the contemporary styles of rhetoric as well as
a defense of his more unorthodox ones in order to safely proceed while using
them.
His main argument is that examples
should be created from the rhetors own imagination, and not quoted from some
other reputable source. He begins his
argument by setting up the opposition and conveying the wisdom. He then knocks it down. The author’s first claim relates to
modesty. The Greek rhetors feel they are
too humble to come up with examples when a plethora of beautifully written
excerpts are at hand. He uses an example
of an Olympic runner who merely discusses former great runners, rather than run
himself. This example works two
ways. It is a simple analogy to help the
reader understand the futility and absurdity of the rhetoric’s current norm. It
also proves itself. By being an
effective original example, it bolsters the argument for using effective
original examples. He then becomes
slightly offensive and accuses the traditional thinkers of an plagiaristic
impudence.
His next argument is even more
effective. It creates a distinction
between the notion of example and testimony.
While both are used to make a point they are not the same. Testimony is used to verify truth and
therefore must come from a reputable source.
Example is used to clarify truth and need only make sense in and of
itself. Here he plays somewhat to logos,
claiming the truth of an example can stand alone without the backing of a
particular ethos if it makes good sense.
To this author, this is a more artful pursuit.
The author makes that clear that
explication through allusion does not impress him. “Now if to discern what is
written artistically proves tour mastery of the art, then a far better proof of
this mastery is to write artistically yourself…The facile chooser of examples
will not necessarily with skill himself.”
This notion still affects our modern day rhetoric. Last week in her introduction for an upcoming
paper, one of my literature professors forbade the use of quotations beyond ten
percent of the paper. She, like this
anonymous author, is interested in original thought, not regurgitation. The art of the rhetor lies not in bringing
together good points to teach, but in coming up with original ones to add to
the common knowledge.
His final point on the advantage of
examples is there universality. Because they can stand alone logically they are
not constrained by petty matters of dissonant contextual situations. In translations from examples taken from
different cultures, the point is often inaccessible to foreign cultures. In addition, the foreigner quoted may lack
the regional ethos achieved elsewhere.
This not only a nuisance but legitimate detriment to matters of
truth. The conditionality cultural
examples lead to don’t mesh well with efforts toward absolute truth. If an example and therefore an argument only
functions regionally it cannot be a universal absolute truth. The example however, noble in its
individuality, can be understood without context and is therefore the more
universal and powerful rhetorical tool.
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